{"id":870,"date":"2023-08-24T16:55:13","date_gmt":"2023-08-24T22:55:13","guid":{"rendered":"https:\/\/action-cinema.com\/?p=870"},"modified":"2024-04-26T10:58:15","modified_gmt":"2024-04-26T16:58:15","slug":"thunderball-1965-2","status":"publish","type":"post","link":"https:\/\/action-cinema.com\/?p=870","title":{"rendered":"The Guns of Navarone (1961)"},"content":{"rendered":"\n<div class=\"wp-block-columns are-vertically-aligned-top is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>Source<\/strong>: Sony: Blu-ray, 2011.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Year<\/strong>: <a href=\"https:\/\/action-cinema.com\/?cat=43\" data-type=\"link\" data-id=\"https:\/\/action-cinema.com\/?cat=43\">1961<\/a><\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>Director<\/strong>:<a href=\"https:\/\/action-cinema.com\/?cat=53\" data-type=\"link\" data-id=\"https:\/\/action-cinema.com\/?cat=53\"> J. Lee Thompson<\/a><\/p>\n<\/div><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Action Stars<\/strong>:&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a data-type=\"link\" data-id=\"https:\/\/action-cinema.com\/?cat=67\" href=\"https:\/\/action-cinema.com\/?cat=67\">Stanley Baker<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/action-cinema.com\/?cat=252\" target=\"_blank\" rel=\"noopener\" title=\"David Niven\">David Niven<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/action-cinema.com\/?cat=68\" data-type=\"link\" data-id=\"https:\/\/action-cinema.com\/?cat=68\">Gregory Peck<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/action-cinema.com\/?cat=69\" data-type=\"link\" data-id=\"https:\/\/action-cinema.com\/?cat=69\">Anthony Quinn<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Genre<\/strong>: <a href=\"https:\/\/action-cinema.com\/?cat=38\">Combat<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Country<\/strong>: <a data-type=\"link\" data-id=\"https:\/\/action-cinema.com\/?cat=85\" href=\"https:\/\/action-cinema.com\/?cat=85\">United Kingdom<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Story Duration<\/strong>: 02:27:52<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Act Duration<\/strong>:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">1st Act: 00:43:10<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2nd Act: 00:40:49<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">3rd Act: 00:32:58<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">4th Act: 00:30:55<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Plot Turns<\/strong>:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">1st:&nbsp;Arrival at Navarone<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2nd:&nbsp;Mission team captured by German army<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">3rd: Anna Exposed as Spy<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>ASD Ratio<\/strong>: 51%<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>AAD Ratios<\/strong>:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">1st Act: 39%<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2nd Act: 42%<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">3rd Act: 44%<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">4th Act: 87%<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Action Structure<\/strong>: 3124<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Action Scenarios<\/strong>:&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Capture<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dangerous Environment<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Escape<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Fall<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Fight<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Rescue<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Speed<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Total Action Moments<\/strong>: 32<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"436\" src=\"https:\/\/action-cinema.com\/wp-content\/uploads\/2021\/05\/The-Guns-of-Navarone-5-1-1024x436.jpg\" alt=\"\" class=\"wp-image-885\" srcset=\"https:\/\/action-cinema.com\/wp-content\/uploads\/2021\/05\/The-Guns-of-Navarone-5-1-1024x436.jpg 1024w, https:\/\/action-cinema.com\/wp-content\/uploads\/2021\/05\/The-Guns-of-Navarone-5-1-150x64.jpg 150w, https:\/\/action-cinema.com\/wp-content\/uploads\/2021\/05\/The-Guns-of-Navarone-5-1-300x128.jpg 300w, https:\/\/action-cinema.com\/wp-content\/uploads\/2021\/05\/The-Guns-of-Navarone-5-1-768x327.jpg 768w, https:\/\/action-cinema.com\/wp-content\/uploads\/2021\/05\/The-Guns-of-Navarone-5-1-1536x654.jpg 1536w, https:\/\/action-cinema.com\/wp-content\/uploads\/2021\/05\/The-Guns-of-Navarone-5-1-900x383.jpg 900w, https:\/\/action-cinema.com\/wp-content\/uploads\/2021\/05\/The-Guns-of-Navarone-5-1-120x51.jpg 120w, https:\/\/action-cinema.com\/wp-content\/uploads\/2021\/05\/The-Guns-of-Navarone-5-1-360x153.jpg 360w, https:\/\/action-cinema.com\/wp-content\/uploads\/2021\/05\/The-Guns-of-Navarone-5-1-600x256.jpg 600w, https:\/\/action-cinema.com\/wp-content\/uploads\/2021\/05\/The-Guns-of-Navarone-5-1.jpg 1916w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">1. Falling scenario the inherent risk to extreme climbing.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"434\" src=\"https:\/\/action-cinema.com\/wp-content\/uploads\/2021\/05\/The-Guns-of-Navarone-3-1024x434.jpg\" alt=\"\" class=\"wp-image-887\" srcset=\"https:\/\/action-cinema.com\/wp-content\/uploads\/2021\/05\/The-Guns-of-Navarone-3-1024x434.jpg 1024w, https:\/\/action-cinema.com\/wp-content\/uploads\/2021\/05\/The-Guns-of-Navarone-3-150x64.jpg 150w, https:\/\/action-cinema.com\/wp-content\/uploads\/2021\/05\/The-Guns-of-Navarone-3-300x127.jpg 300w, https:\/\/action-cinema.com\/wp-content\/uploads\/2021\/05\/The-Guns-of-Navarone-3-768x326.jpg 768w, https:\/\/action-cinema.com\/wp-content\/uploads\/2021\/05\/The-Guns-of-Navarone-3-1536x651.jpg 1536w, https:\/\/action-cinema.com\/wp-content\/uploads\/2021\/05\/The-Guns-of-Navarone-3-900x382.jpg 900w, https:\/\/action-cinema.com\/wp-content\/uploads\/2021\/05\/The-Guns-of-Navarone-3-120x51.jpg 120w, https:\/\/action-cinema.com\/wp-content\/uploads\/2021\/05\/The-Guns-of-Navarone-3-360x153.jpg 360w, https:\/\/action-cinema.com\/wp-content\/uploads\/2021\/05\/The-Guns-of-Navarone-3-600x254.jpg 600w, https:\/\/action-cinema.com\/wp-content\/uploads\/2021\/05\/The-Guns-of-Navarone-3.jpg 1917w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">2. Embedded rescue of Captain Keith Mallory.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"436\" src=\"https:\/\/action-cinema.com\/wp-content\/uploads\/2021\/05\/The-Guns-of-Navarone-2-1024x436.jpg\" alt=\"\" class=\"wp-image-890\" srcset=\"https:\/\/action-cinema.com\/wp-content\/uploads\/2021\/05\/The-Guns-of-Navarone-2-1024x436.jpg 1024w, https:\/\/action-cinema.com\/wp-content\/uploads\/2021\/05\/The-Guns-of-Navarone-2-150x64.jpg 150w, https:\/\/action-cinema.com\/wp-content\/uploads\/2021\/05\/The-Guns-of-Navarone-2-300x128.jpg 300w, https:\/\/action-cinema.com\/wp-content\/uploads\/2021\/05\/The-Guns-of-Navarone-2-768x327.jpg 768w, https:\/\/action-cinema.com\/wp-content\/uploads\/2021\/05\/The-Guns-of-Navarone-2-1536x653.jpg 1536w, https:\/\/action-cinema.com\/wp-content\/uploads\/2021\/05\/The-Guns-of-Navarone-2-900x383.jpg 900w, https:\/\/action-cinema.com\/wp-content\/uploads\/2021\/05\/The-Guns-of-Navarone-2-120x51.jpg 120w, https:\/\/action-cinema.com\/wp-content\/uploads\/2021\/05\/The-Guns-of-Navarone-2-360x153.jpg 360w, https:\/\/action-cinema.com\/wp-content\/uploads\/2021\/05\/The-Guns-of-Navarone-2-600x255.jpg 600w, https:\/\/action-cinema.com\/wp-content\/uploads\/2021\/05\/The-Guns-of-Navarone-2.jpg 1918w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">3. Realization of falling risk.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"434\" src=\"https:\/\/action-cinema.com\/wp-content\/uploads\/2021\/05\/The-Guns-of-Navarone-4-1024x434.jpg\" alt=\"\" class=\"wp-image-888\" srcset=\"https:\/\/action-cinema.com\/wp-content\/uploads\/2021\/05\/The-Guns-of-Navarone-4-1024x434.jpg 1024w, https:\/\/action-cinema.com\/wp-content\/uploads\/2021\/05\/The-Guns-of-Navarone-4-150x64.jpg 150w, https:\/\/action-cinema.com\/wp-content\/uploads\/2021\/05\/The-Guns-of-Navarone-4-300x127.jpg 300w, https:\/\/action-cinema.com\/wp-content\/uploads\/2021\/05\/The-Guns-of-Navarone-4-768x326.jpg 768w, https:\/\/action-cinema.com\/wp-content\/uploads\/2021\/05\/The-Guns-of-Navarone-4-1536x651.jpg 1536w, https:\/\/action-cinema.com\/wp-content\/uploads\/2021\/05\/The-Guns-of-Navarone-4-900x381.jpg 900w, https:\/\/action-cinema.com\/wp-content\/uploads\/2021\/05\/The-Guns-of-Navarone-4-120x51.jpg 120w, https:\/\/action-cinema.com\/wp-content\/uploads\/2021\/05\/The-Guns-of-Navarone-4-360x153.jpg 360w, https:\/\/action-cinema.com\/wp-content\/uploads\/2021\/05\/The-Guns-of-Navarone-4-600x254.jpg 600w, https:\/\/action-cinema.com\/wp-content\/uploads\/2021\/05\/The-Guns-of-Navarone-4.jpg 1918w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">4. Unidirectional stabbing of a German soldier.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"722\" height=\"434\" src=\"https:\/\/action-cinema.com\/wp-content\/uploads\/2021\/05\/The-Guns-of-Navarone-1961-Act-Structure-.jpg\" alt=\"\" class=\"wp-image-879\" srcset=\"https:\/\/action-cinema.com\/wp-content\/uploads\/2021\/05\/The-Guns-of-Navarone-1961-Act-Structure-.jpg 722w, https:\/\/action-cinema.com\/wp-content\/uploads\/2021\/05\/The-Guns-of-Navarone-1961-Act-Structure--150x90.jpg 150w, https:\/\/action-cinema.com\/wp-content\/uploads\/2021\/05\/The-Guns-of-Navarone-1961-Act-Structure--300x180.jpg 300w, https:\/\/action-cinema.com\/wp-content\/uploads\/2021\/05\/The-Guns-of-Navarone-1961-Act-Structure--665x400.jpg 665w, https:\/\/action-cinema.com\/wp-content\/uploads\/2021\/05\/The-Guns-of-Navarone-1961-Act-Structure--120x72.jpg 120w, https:\/\/action-cinema.com\/wp-content\/uploads\/2021\/05\/The-Guns-of-Navarone-1961-Act-Structure--333x200.jpg 333w, https:\/\/action-cinema.com\/wp-content\/uploads\/2021\/05\/The-Guns-of-Navarone-1961-Act-Structure--549x330.jpg 549w\" sizes=\"auto, (max-width: 722px) 100vw, 722px\" \/><figcaption class=\"wp-element-caption\">Action Structure<\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\"><strong>Notable Action Sequence<\/strong>: Climbing the Cliffs<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Duration<\/strong>: 00:07:59<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Act<\/strong>: 2nd<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Action Scenarios<\/strong>:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dangerous Environment<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Fall<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Fight<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Rescue<\/p>\n\n\n\n<p class=\"has-black-color has-text-color wp-block-paragraph\"><strong>Description<\/strong>: The arrival of the mission team to Navarone Island is marked by two notable sequences that underscore how nature itself can supply precarious environments to situate action. The first is an extended storm, a sequence that runs over thirteen minutes in length, which eventually shipwrecks the mission team&#8217;s boat. The second is the scaling of the cliffs of Navarone, which was one of the reasons why Captain Keith Mallory (Gregory Peck) was selected for the mission, given his previous climbing experience. The risk of the ascent is further heightened due to the wet stormy conditions and is undertaken under cover of darkness [Figure 1]. The ascent also activates the falling scenario as the inherent risk of extreme climbing. This risk is realized twice in the sequence. The first is when Mallory slips, but Andrea Stavros (Anthony Quinn) grabs him, representing an embedded rescue [Figure 2]. The suspense to the rescue is further augmented by Stavros&#8217; earlier vow to kill Mallory, who he views as responsible for the death of his family. The second instance occurs when Major Roy Franklin (Anthony Quayle) falls down a section of the cliff face and is severely injured, jeopardizing the overall mission to destroy the large artillery guns [Figure 3]. Adding to the risk of the sequence is the patrolling German soldier at the top of the cliff whom Stavros dispatches by knifing and tossing him over the cliff [Figure 4].<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The arrival of the mission team to Navarone Island is marked by two notable sequences that underscore how nature itself can supply precarious environments to situate action.<\/p>\n","protected":false},"author":1,"featured_media":882,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[9,38,67,85,43,53,252,68,69],"tags":[],"class_list":["post-870","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-action-profile","category-combat","category-stanley-baker","category-united-kingdom","category-43","category-j-lee-thompson","category-david-niven","category-gregory-peck","category-anthony-quinn"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 5.0.0.1 - aioseo.com -->\n\t<meta name=\"description\" content=\"The arrival of the mission team to Navarone Island is marked by two notable sequences that underscore how nature itself can supply precarious environments to situate action.\" \/>\n\t<meta name=\"robots\" content=\"max-image-preview:large\" \/>\n\t<meta name=\"author\" content=\"Tico Romao\"\/>\n\t<link rel=\"canonical\" href=\"https:\/\/action-cinema.com\/?p=870\" \/>\n\t<meta name=\"generator\" content=\"All in One SEO (AIOSEO) 5.0.0.1\" \/>\n\t\t<meta property=\"og:locale\" content=\"en_US\" \/>\n\t\t<meta property=\"og:site_name\" content=\"action-cinema.com - A deeper understanding of action in film.\" \/>\n\t\t<meta property=\"og:type\" content=\"article\" \/>\n\t\t<meta property=\"og:title\" content=\"The Guns of Navarone (1961) - action-cinema.com\" \/>\n\t\t<meta property=\"og:description\" content=\"The arrival of the mission team to Navarone Island is marked by two notable sequences that underscore how nature itself can supply precarious environments to situate action.\" \/>\n\t\t<meta property=\"og:url\" content=\"https:\/\/action-cinema.com\/?p=870\" \/>\n\t\t<meta property=\"og:image\" content=\"https:\/\/action-cinema.com\/wp-content\/uploads\/2021\/05\/The-Guns-of-Navarone-1.jpg\" \/>\n\t\t<meta property=\"og:image:secure_url\" content=\"https:\/\/action-cinema.com\/wp-content\/uploads\/2021\/05\/The-Guns-of-Navarone-1.jpg\" \/>\n\t\t<meta property=\"og:image:width\" content=\"1917\" \/>\n\t\t<meta property=\"og:image:height\" content=\"815\" \/>\n\t\t<meta property=\"article:published_time\" content=\"2023-08-24T22:55:13+00:00\" \/>\n\t\t<meta property=\"article:modified_time\" content=\"2024-04-26T16:58:15+00:00\" \/>\n\t\t<meta property=\"article:publisher\" content=\"https:\/\/facebook.com\/Tico Romao\" \/>\n\t\t<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n\t\t<meta name=\"twitter:site\" content=\"@Tico%20Romao\" \/>\n\t\t<meta name=\"twitter:title\" content=\"The Guns of Navarone (1961) - action-cinema.com\" \/>\n\t\t<meta name=\"twitter:description\" content=\"The arrival of the mission team to Navarone Island is marked by two notable sequences that underscore how nature itself can supply precarious environments to situate action.\" \/>\n\t\t<meta name=\"twitter:image\" content=\"https:\/\/action-cinema.com\/wp-content\/uploads\/2021\/05\/The-Guns-of-Navarone-1.jpg\" \/>\n\t\t<script type=\"application\/ld+json\" class=\"aioseo-schema\">\n\t\t\t{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/action-cinema.com\\\/?p=870#article\",\"name\":\"The Guns of Navarone (1961) - action-cinema.com\",\"headline\":\"The Guns of Navarone (1961)\",\"author\":{\"@id\":\"https:\\\/\\\/action-cinema.com\\\/?author=1#author\"},\"publisher\":{\"@id\":\"https:\\\/\\\/action-cinema.com\\\/#person\"},\"image\":{\"@type\":\"ImageObject\",\"url\":\"https:\\\/\\\/action-cinema.com\\\/wp-content\\\/uploads\\\/2021\\\/05\\\/The-Guns-of-Navarone-1.jpg\",\"width\":1917,\"height\":815},\"datePublished\":\"2023-08-24T16:55:13-06:00\",\"dateModified\":\"2024-04-26T10:58:15-06:00\",\"inLanguage\":\"en-CA\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/action-cinema.com\\\/?p=870#webpage\"},\"isPartOf\":{\"@id\":\"https:\\\/\\\/action-cinema.com\\\/?p=870#webpage\"},\"articleSection\":\"Action Profiles, Combat, Stanley Baker, United Kingdom, 1961, J. 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